LONNIE HOLLEY - Mith

Mith



ืืžืŸ: LONNIE HOLLEY
ืฉื ื”: 2018
ืกื’ื ื•ืŸ:  ื’'ืื– ืกื•ืœ
ืคื•ืจืžื˜:  CD (ื“ื™ืกืง)

ืงื•ืจืื™ื ืœื• ืœื•ื ื™ ื”ื•ืœื™ ื•ื”ื•ื ื ื‘ื™ื ื–ืขื ืžื–ืŸ ื—ื“ืฉ. ื›ืžื• ืงื•ื“ืžื™ื• ื‘ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื ื‘ื™ืื™ ื”ื–ืขื ืœื“ื•ืจื•ืชื™ื”ื, ื”ื•ื ื”ื—ืœ ืืช ื“ืจื›ื• ื‘ืฉื•ืœื™ ื”ื—ื‘ืจื” ื•ืขืœ ืืฃ ืฉื”ื•ื ื›ื‘ืจ ื›ืžืขื˜ ื‘ืŸ 70 ื˜ืจื ื”ื’ื™ืข ืœืžื ื•ื—ื” ื•ื”ื ื—ืœื” ื”ืžืคื•ืงืคืงืช ืฉืฉืžื•ืจื” ืœื ื‘ื™ืื™ ืžืกื•ื’ื•.
ืืš ื›ื•ื—ื• ื‘ืžื•ืชื ื™ื•, ื›ื™ืื” ืœืืคืจื•-ืืžืจื™ืงืื™ ืฉื ื•ืœื“ ื‘ืขื™ื™ืจื” ืžื•ื›ืช ืื‘ื˜ืœื” ื‘ืืœื‘ืžื”, ื”ื—ืœ ืœืขื‘ื•ื“ ื›ื‘ืจ ื‘ื’ื™ืœ 5 ื‘ืขื‘ื•ื“ื•ืช ืžื–ื•ืคืชื•ืช, ื”ืคืš ืœืฆื™ื™ืจ ื•ืคืกืœ ื•ืจืง ื‘ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช ื’ื ืœืžื•ื–ื™ืงืื™ – ื›ื–ื” ืฉื™ืฉ ืœื• ืœืฉื•ืŸ ืžื•ืฉื—ื–ืช ืฉืžืฉืจื‘ื‘ืช ืืžื™ืจื•ืช ืคื•ืœื™ื˜ื™ื•ืช ื•ืงื™ื•ืžื™ื•ืช ืงืฉื•ื—ื•ืช ืฉืžืฆื“ ืื—ื“ ืžืงื ื•ืช ืœื• ืงื”ืœ ื ืืžืŸ ืฉื”ื•ืœืš ืื—ืจื™ื•, ื•ืžืฆื“ ืฉื ื™ ืžื™ืœื™ื ืงืฉื•ืช ืฉื™ืžื ืขื• ืžืžื ื• ืœื”ืคื•ืš ืœื ื—ืœืช ื”ื›ืœืœ. ืื—ืจื™ ืฉื ื™ ืืœื‘ื•ืžื™ื ื‘-Dust To Digital, ืœื™ื™ื‘ืœ ืงื˜ืŸ ื•ืกื•ืคืจ-ื ื—ืฉื‘, ื”ื•ื ื ื—ืช ื‘-Jagjaguwar ืžื”ืœื™ื™ื‘ืœื™ื ื”ืืœื˜ืจื ื˜ื™ื‘ื™ื™ื ื”ืžืฆืœื™ื—ื™ื ื‘ื™ื•ืชืจ ืฉืœ ื”ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช ืฉื—ืฉืฃ ืœืขื•ืœื ืืช ื‘ื•ืŸ ืื™ื‘ืจ, ื•ื–ื” ืœื ืงืจื” ื‘ืžืงืจื”: "ืžื™ืชื•ืก" ื”ื•ื ืžื•ืคืช ืฉืœ ืžื•ื–ื™ืงืช ื ืฉืžื” ื’'ืื–ื™ืช ื•ืคื•ืื˜ื™ืช ื•ืœืขืชื™ื ื’ื ื ื™ืกื™ื•ื ื™ืช ืื• ื’ืจื•ื‘ื™ืช ืฉืžืฆื ื™ืขื” ืœื›ืช ื•ื‘ื• ื–ืžื ื™ืช ื™ื•ื“ืขืช ืœื”ื™ื•ืช ื™ืฉื™ืจื”, ื ื•ืงื‘ืช ื•ื”ืจื•ืื™ืช ืขื ืžื™ืœื™ื ืฉื—ื•ื“ืจื•ืช ืžืชื—ืช ืœืขื•ืจ ื›ืฉื”ื“ื’ืฉ, ืื™ืš ืœื, ื”ื•ื ื”ืกื˜ื˜ื•ืก ื”ืžื—ื•ื“ืฉ ืฉืœ ื”ืืคืจื•-ืืžืจื™ืงืื™ื ื‘ืืจื”"ื‘ ื‘ืขื™ื“ืŸ ื˜ืจืืžืค ื•ื”ืคื•ืœืงืœื•ืจ ื”ืฉื—ื•ืจ ื”ืžื“ื•ื›ื ื”ื—ื“ืฉ ืฉืžืชืขืฆื‘ ื‘ืจื•ื— ื”ืชืงื•ืคื”. ืื™ ืืคืฉืจ ืฉืœื ืœื”ื–ื›ื™ืจ ื‘ื”ืงืฉืจ ื”ื–ื” ืืช ื’ื™ืœ ืกืงื•ื˜ ื”ืจื•ืŸ ื”-Last Poets ืื• ืกืœื™ื™ ืื ื“ ื“ื” ืคืžื™ืœื™ ืกื˜ื•ืŸ ื‘-There's A Riot Goin' On ื›ืฉืžืื–ื™ื ื™ื ืœืœื•ื ื™ ื”ื•ืœื™, ืืš ื‘ื“ ื‘ื‘ื“ ื•ื—ืจืฃ ื’ื™ืœื• "ื”ืžืชืงื“ื" ื”ืžื•ื–ื™ืงื” ืฉืœ ื”ื•ืœื™ ื’ื ืขื›ืฉื•ื•ื™ืช ืœื—ืœื•ื˜ื™ืŸ ื•ืžืชื›ืชื‘ืช ืขื ื–ื• ืฉืœ ืื ื™ืžืœ ืงื•ืœืงื˜ื™ื‘, ื‘ื•ืŸ ืื™ื‘ืจ ืฉืœ ื”ืืœื‘ื•ื ื”ืื—ืจื•ืŸ, ื’ืจื™ื–ืœื™ ื‘ืจ ื•ืืคื™ืœื• Death Grips, ืœื• ืจืง ื‘ื•ื‘ื™ ื•ื•ืžืืง ืื• ื˜ืจื™ ืงืืœื™ื™ืจ ื”ื™ื• ืžื—ืœื™ืคื™ื ืืช ื”ืกื•ืœืŸ ืฉืœื”ื.

TRACKS
1 I'm A Suspect
2 Back For Me
3 ?How Far Is Spaced-Out
4 I Snuck Off The Slave Ship
5 I Woke Up In A Fucked America
6 Copying The Rock
7 (Coming Back (From The Distance Between The Spaces Of Time
8 There Was Always Water
9 Down In The Ghostness Of Darkness
10 Sometimes I Wanna Dance

ืคืจื˜ื™ ืžื•ืฆืจ

  • ืชืืจื™ืš ื™ืฆื™ืื”:11/12/2018
  • ืชืืจื™ืš ื™ืฆื™ืื” ืžืงื•ืจื™:
  • ื—ื‘ืจืช ื”ืคืฆื” ื‘ืืจืฅ:ืงืžืข
  • ื—ื‘ืจืช ืชืงืœื™ื˜ื™ื ื‘ื—ื•"ืœ:Jagjaguwar
  • ื‘ืจืงื•ื“:656605231624
  • ืกื’ื ื•ืŸ: ื’'ืื– ืกื•ืœ
  • ืžืกืคืจ ื™ื—ื™ื“ื•ืช (ื‘ืžื•ืฆืจ):1
  • ืคื•ืจืžื˜:CD (ื“ื™ืกืง)
  • ืคื•ืจืžื˜ ื ื•ืกืฃ:
  • ืฉืคื•ืช:
  • ื›ืชื•ื‘ื™ื•ืช:
  • ืกืื•ื ื“:
  • ืื™ื–ื•ืจ:
  • ืžื“ื™ื ื”:
  • ืงื™ื“ื•ื“:
  • ืื•ืจืš:
  • ื™ื—ืก ืžืกืš:
  • ืจื–ื•ืœื•ืฆื™ื”:
  • ืฉื—ืงื ื™ื:
  • ื‘ืžืื™:
  • ืžืคื™ืง:
  • ืชื•ืกืคื•ืช ืžื™ื•ื—ื“ื•ืช:
ื ื ืœื ืœื”ืฉืื™ืจ ื›ืืŸ ืฉืืœื•ืช ื•ื‘ืงืฉื•ืช! - ืขืœ ืžื ืช ืฉื ื•ื›ืœ ืœืขื ื•ืช ืœืฉืืœื•ืช ืื• ื‘ืงืฉื•ืช, ื ื™ืชืŸ ืœืคื ื•ืช ืืœื™ื ื• ื“ืจืšยป ืฆื•ืจ ืงืฉืจ

ื”ื•ืกืคืช ืชื’ื•ื‘ื” ืœืžื•ืฆืจ

ืฉื ืžืœื:
ื›ื•ืชืจืช:
ืชื•ื›ืŸ:
ืชื’ื•ื‘ืชืš ืขื‘ื•ืจ ืžื•ืฆืจ ื–ื” ื›ื‘ืจ ื”ืชืงื‘ืœื”
ืชื’ื•ื‘ืชืš ื ืฉืžืจื” ื‘ื”ืฆืœื—ื” ื•ืชืคื•ืจืกื ืœืื—ืจ ืื™ืฉื•ืจ ื”ืžื ื”ืœ.